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Designer Challenge: Sam Parfitt

Filed under: Design Process,Interviews — Tags: , , — Elly @ 5:02 pm on January 12, 2012

(The Deep, Dark Night Palette Pack that was used for the Designer Challenge is now back in stock in the shop!)

For our final interview in the Knit Now issue 3: Designer Challenge series, we have Sam Parfitt of Dark Nights and Yarn Dreams, who designed the intriguing Liquorice Gloves. You can find buy her hand-dyed yarn on Etsy, and chat with her on Facebook and Twitter.

Liquorice Gloves by Sam Parfitt, © Practical Publishing

Tell us a bit about yourself, and your fibrey pursuits. For example, where are you from, do you work as anything else other than a knitwear designer? When/how did you you learn to knit? What made you decide to design a pattern for publication?

I live in Todmorden, West Yorkshire, with my 5 year old daughter Billie Jo and I freelance as a knitwear designer, tutor and dyer. I learnt to knit when I was about 7, my mum taught me and I remember being a pain to teach! When I heard the Designer Challenge for Knit Now was using Lanaloft Sport in my favourite gothic colours I think I submitted about 4 different designs so I was in with more of a chance, and when my gloves were picked I couldn’t wait to knit them up!

 

 

What was your inspiration for the design? Did it come from the colours, or the yarn structure, or something else?

My inspiration, believe it or not, was a mixture of the freezing cold and liquorice. I had been craving liquorice for a while and the shape of the twist made me think up some twisty gloves, the colour of liquorice.

 

 

Tension: I’m interested to see that across the 3 patterns, there are vastly different tensions – from 20 sts to 30 sts to 10 cm! Why did you choose the tension you did, what effect did it have on the finished project?

I chose the tension I did because I wanted the gloves to be slouchy rather than fitted, and lace always shows up better when you use bigger needles than recommended.

 

A bit of quick fire fun:

Sweet or Savoury? Savoury

Marmite, yes or no? Yes. With bells on.

Favourite fibre? Muesli. Kidding, silk.

Crochet? Yes.

What are you reading now/what was the last book you read? The War of the Dwarves by Markus Heitz

Music tastes? Rock, metal and punk. Apart from Trivium.

What annoys you? People with no manners.

What makes you happy/helps you relax? Playing XBox, baking and of course, knitting.

Favourite colour(s)? Black, purple, turquoise, grey, pink, green…

 

And that wraps up our little series of interviews! I hope you enjoyed finding out more about the designers. Look out for Issue 4 of Knit Now, where you will find (among other fabulous designs) a pattern by yours truly! Yay! But more on that soon :)

Designer Challenge: Rachel Coopey

Filed under: Design Process,Interviews — Tags: , , — Elly @ 5:35 pm on December 29, 2011

The second designer interview is with Rachel Coopey, who designed the fabulous Zena Mittens. She blogs at Coop Knits and tweets @coopknit. This design, and the others in the series, are knitted with one ball each of Lanaloft Sport, in Rose Marquee, Deep Violet and Black Bear.

Together they make up the Deep, Dark Night which is available for £13.49. (Currently there is only one Deep Dark Night pack left, Deep Dark Night is now all sold out, but other colourways are available. More stock of Deep, Dark Night will be arriving mid-January, so I recommend that if you want one, purchase it now, and it will be reserved for you. Please see this page for more info.)  Deep, Dark Night is back in stock!

Zena Mittens by Rachel Coopey, © Practical Publishing

Tell us a bit about yourself, and your fibrey pursuits. For example, where are you from, do you work as anything else other than a knitwear designer? When/how did you you learn to knit? What made you decide to design a pattern for publication? 

I’m from Worcester and I’m a full time designer. My mum and Grandma were always knitting when I was little and I used to make them cast on for me and I would knit garter stitch squares. When I was about 16 I managed a whole scarf. In 2007 I bought a book and re-taught myself the basics and I haven’t stopped since!

 

What was your inspiration for the design? Did it come from the colours, or the yarn structure, something else?

The colours were the starting point for me – I started with the colourwork cuff and I wanted a cable pattern to co-ordinate with it, this is the first time I have worked with Lanaloft Sport – but it won’t be the last! I love proper woolly yarn and this is definitely that!

 

Tension: I’m interested to see that across the 3 patterns, there are vastly different tensions – from 20 sts to 30 sts to 10 cm! Why did you choose the tension you did, what effect did it have on the finished project?

I chose to work at a tight tension because I wanted the resulting fabric to be really firm and warm, thats one of the lovely things about this yarn – you can use it in such a range of tensions, I’m working on a project now which is a lot looser and it’s got a lovely drape!

 

Do you have any extra tips for your project, or for using Lanaloft Sport? Eg. cast on/cast off. type of increase, needles to use etc.

Try not to knit the colourwork section too tightly and learning how to cable without a cable needle will save you time!

 

 

A bit of quick fire fun:

Sweet or Savoury? Sweet

Marmite, yes or no? No

Favourite fibre? Wool

Crochet? I wish

What are you reading now/what was the last book you read? The Magicians.

Music tastes? Eclectic

What annoys you? Wasps

What makes you happy/helps you relax? A hot bath

Favourite colour(s)? Green, Yellow and Grey

 

That’s all for this year! After the New Year check back for Sam Parfitt’s interview, and a couple of exciting announcements – but in the mean time, I wish you a happy and hygge New Year!

Designer Challenge: Patricia Clift Martin

Filed under: Design Process,Interviews — Tags: , , , — Elly @ 4:25 pm on December 23, 2011

Here is the first interview of the Designer Challenge series. It’s with Patricia Clift Martin, who designed the lovely Lotus-Eater Mitts.

Lotus Eater Mitts by Patricia Clift Martin, © Practical Publishing

Tell us a bit about yourself, and your fibrey pursuits. For example, where are you from, do you work as anything else other than a knitwear designer? When/how did you you learn to knit? What made you decide to design a pattern for publication?

I’m a born, bred, and resident Mancunian. I taught myself to knit using the Debbie Bliss “How to Knit” book when my next oldest sister was pregnant. That baby is going to school next year having turned 4 in November so I’ve not been knitting very long in the grand scheme of things. By the time she was born she had a big box of baby things and her mum had been wearing two hand knit maternity tops, one a lace cardigan, so it’s fair to say I took to it quickly.

I come from a fairly crafty and creative family. There are some great family photos of my older siblings in hand knit Icelandic style Lopi jumpers that my my mum knit in the 1970s. Sadly she was no longer able to knit by the time I was interested in learning but she is quite excited by my being published. Two of my sisters are excellent knitters, another crochets, another does lots of different needlework to an extremely high standard, and another is a wonderful photographer. I’ve been surrounded by inspirational people my whole life.

In terms of what made me design for publication it’s a little hard to say. I’ve been self-publishing for about a year and Knit Now issued their first call for submissions at the time when I’d just finished the first pattern which I really felt was different and exciting so it was serendipity to some extent.

 

What was your inspiration for the design? Did it come from the colours, the yarn, something else?

For me it was the colours. I really like the effects you can get from changing the background colour but keeping the contrast the same. It reminds me a little bit of the Jan Pienowski illustrations from the fairy tales I read as a kid.
(Ohh, I remember Meg & Mog – I loved those illustrations! – E)

 

I’m interested to see that across the 3 patterns, there are vastly different tensions – from 20 sts to 30 sts to 10 cm! Why did you choose the tension you did, what effect did it have on the finished project?

I’m basically an intuitive knitter so I feel the yarn and then pick the needles that seem appropriate, and crack on. With this design I had the lotus flower chart drawn out and that influenced the tension and the cast on a lot. Colour work makes my tension a bit tighter than usual and I find it doesn’t increase as much after blocking. I was also sick as a dog with a really heavy cold when I knit this up which definitely affected my tension!

 

Do you have any extra tips for your project, or for using Lanaloft Sport?

For my project you can resize upwards by using larger needles. I think this yarn is quite adaptable and will knit nicely in the 3.5 – 5mm needle range to create different fabrics.

 

A bit of quick fire fun:

Sweet or Savoury? Savoury

Marmite, yes or no? No, it’s the devil’s work

Favourite fibre? Wool

Crochet? No, my wrists don’t like it

What are you reading now/what was the last book you read? The Last Season by Anne de Courcy

Music tastes? Eclectic, anything from Swedish Jazz to 1980s power ballads, taking in Johnny Cash en route

What annoys you? Advertising that assumes the viewer is an eejit.

What makes you happy/helps you relax? Knitting obviously and baking. Baking is my big de-stressing activity.

Favourite colour(s)? Grey, Green, Blue

You can find more about Patricia at her blog, Unwinding Slowly, and more of her patterns are available on Ravelry. She has also released donation-ware pattern in conjunction with Knit Now’s campaign for Roald Dahl’s Marvellous Children’s Charity, donate at Just Giving.com. She also tweets, @pmcblonde.

 

And there we have it! The next interview will be with Rachel Coopey, and will be out in between Christmas and the new year. In case you are interested in buying the yarn to use for the pattern, as of writing, I only have 2 balls of the beautiful Rose Marquee, and only one of the Deep Violet left! I have more stock on the way, expected to arrive sometime in the second week of January, but if you want a Deep, Dark Night Palette Pack sooner, best to snap it up!